Drive
Saturation with five flavors of crunch, from a warm valve glow to a hard, aggressive bite. TONE works before the distortion, so you shape what gets crunched rather than filtering it afterwards.
Free · Mac + Windows · VST3 · AU · Standalone
COZY FX
Cozy on the surface.
Seriously capable underneath.
Browser test UI
This rack runs the real COZY FX engine, but it is only a testing surface for it. The plugin itself adds preset browsing and saving, undo, the output trim and global mix, the CUT EQ, live metering, and it follows your DAW's tempo.
Not another effects bundle
Every module in COZY FX is voiced to a specific taste. Not a generic reverb with a knob for everything — a deliberate character you'll reach for on purpose.
Load six of them into the rack, reorder the chain while it plays, and shape the whole thing with a grabbable EQ. Everything is auto gain-matched and level-safe, so it always sounds good. Never harsh.
When you're stuck, roll the dice and let it build a chain for you.
16 modules — all modeled after my favorite units
Six in the rack at once, swapped in a click.
Pick a module to read what it is.
Tremolo
Volume that pulses in time — a gentle sway or a hard rhythmic chop. Five shapes including auto-pan, which throws the sound side to side, and a control that morphs smoothly from a soft swell to a hard gate.
Digital
Crushes things down to a grainy, sampled lo-fi. Smoothed on the way out, so you get the grit and the crunch without the harsh digital fizz that usually comes with it.
Tape
The sound of a track bounced to cassette — soft top end, gentle saturation, and that unsteady wobble in the pitch. Even the hiss breathes with the music, rising as things get loud and ducking away in the gaps.
Filter
Sweep the tone open and closed. Five shapes with a resonance that sings rather than screeches, and its own drive, so pushing it hard sounds thick instead of thin.
Delay
Echoes that get darker as they fade, the way real ones do — so long settings drift off into the background instead of piling up and swamping the track.
Reverb
Two kinds of space in one module: a smooth, natural room and hall, or a spring that boings and rattles like the real thing.
Reverse
Plays your audio backwards in chunks, locked to the beat. Everything swells in instead of hitting — and because it follows the bar, the reversed pieces land on time rather than sliding around.
Galaxy
A tape echo with three playback heads and a spring tail. Repeats get darker, wobblier and warmer with every pass, and pushing the feedback tips the whole thing into runaway self-oscillation.
Chorus
Takes a flat mono sound and opens it out wide and shimmering. Four voicings, from a gentle drift to a lush double-tracked wobble to a subtle width that just makes things sound bigger.
EQ
Instant character instead of bands to dial in. Telephone, radio, megaphone, boombox, underwater — pick a sound, then slide the whole shape up or down to taste.
Wah
Makes anything talk. A vocal, quacking sweep locked to your tempo, so a flat synth line suddenly moves like a guitar through a wah pedal. Loud and proud — this one is meant to be heard.
Phaser
That swirling, jet-plane sweep. Style sets how thick the swirl gets, and feedback takes it from a soft wash to a sharp, resonant whoosh.
Half-Time
Drops everything to half speed and an octave down — the chopped, dragging feel. It snaps back in time with the bar, so it slows things down without ever falling behind the track.
Exciter
Adds air and sparkle up top, the sheen that makes things sound finished. It isn't just treble — it generates new detail, and it's capped so it can't tip into harshness.
Boom Bap
That dusty, hard-hitting sampler crunch. Hit it harder and it saturates, and the grit follows how loud you play — loud parts stay punchy while quieter tails get dirty.
The details
- Format
- VST3 · AU · Standalone
- Systems
- macOS · Windows
- License
- 2 computers, yours forever
- Price
- Free
Enter your email to download. You'll get a license key that works on two computers — your studio machine and your laptop.